Musée Sans embodies clarity, elegance, and modernity. It’s highly legible with distinct letterforms that are easy to read from a distance. The typeface is designed to complement the art and content of a museum while remaining neutral. Based on Roger Excoffon’s 1962 Antique Olive, Musée Sans clarifies the legibility of the original typeface, and is appropriate for large-scale signage and detailed interpretive text.
Lutin Display is a hybrid typeface formed from the careful study of Bruce Rogers' Centaur and the transitional letterforms of Pierre-Simon Fournier. Lutin Display's blend of historical influences creates a versatile typeface that can work for applications from headlines and titling to ornamental text. It embodies both the elegance of humanist design and the charm of French decorative typography, making it an ideal choice for modern designers seeking to evoke a sense of tradition and playfulness.